Tips for Photographing in Winter

All Materials © Efraín M. Padró/Padró Images, All Rights Reserved

As soon as the mercury heads south, most photographers head inside. After all, who wants to photograph in cold, icy conditions, when you could be enjoying a cup of hot cocoa in front of a fireplace? Successful photographers, that’s who.

Winter images, because they can be more challenging to take than traditional photographs (everyone is a photographer when the weather is warm) offer a great opportunity for making unique images. And for those of you interested in selling your work, not only are winter images less plentiful, but editors of seasonal publications (state vacation guides, for example) are always looking for good winter images. The following are a few tips for photographing in winter.

  1. Keep Snow White: Camera light meters calculate exposures by averaging the contents of a scene to middle tone. This means that a scene with lots of snow will come out looking gray. To avoid this, use your camera’s exposure compensation by adding two stops (or so) of light, which will make snow look white. Check your histogram to make sure the graph is not bumping against the right side, which would mean your picture is overexposed (no detail on its lightest portion).
  2. Keep Your Hands Warm: Nothing will make you more miserable—and send you running for the fireplace—more quickly than cold hands. To keep your hands from becoming uncomfortably cold, use chemical heat pads available at outdoor and hunting stores. Put them inside your gloves (and boots) and thank me later.
  3. Keep Batteries Warm: Batteries lose their power and effectiveness when they get cold, so it is likely you will have to change batteries during a long shooting session. Therefore, make sure you keep a spare battery handy, and keep it inside your coat pocket so it stays warm. And don’t be surprised if your “dead” battery comes back to life after a few minutes in your warm pocket.
  4. Use Tripod Snowshoes: There is nothing more frustrating than trying to use a tripod in deep snow. The legs spread outward and become unstable, defeating the purpose of using the tripod in the first place. Fortunately there are snowshoes made for tripods (no lie), which are relatively inexpensive and take a minute to put on. The ones I use are made by Manfrotto.Las Posadas, Santa Fe, NM
  5. Photograph “Winter” and “Holiday” Subjects: Make sure you photograph season-specific subjects like the local tree-lighting ceremony, the annual caroling competition, and the ice-carving contest. These events happen only once a year, so put them on your shooting calendar and take a variety of pictures when you attend. The picture here depicts Las Posadas, a Santa Fe event that commemorates Mary and Joseph’s looking for shelter before Jesus’ birth.
  6. Photograph Familiar Subjects…Under Snow: Also take pictures of more familiar subjects, but covered in snow. Often these subjects look completely different (or even better!) covered in snow, and as I mentioned they are in demand for winter issues of a variety of publications.

Now go out and shoot something.

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Creativity

All Materials © Efraín M. Padró/Padró Images, All Rights Reserved

I am fascinated by the creative process. I want to understand it so that I can be creative myself. I read all I can about how to be creative, where inspiration and great ideas come from, and I keep a file of article clippings unimaginatively labelled “Creativity and Inspiration.” My file is filled with articles discussing the creative process of musicians, comedians, fashion designers, architects, bakers, and more. Although every artist and craft is different, I found threads of commonality among their approaches to creativity. Here they are:

1. Don’t wait for inspiration. All the artists I have studied are hard workers. They don’t sit around waiting to feel inspired before putting pen to paper, paint to canvas or…you get the point. Here are the words of painter Robert E. Colvin: “…forget about whether or not you have focus, energy, or inspiration. Let those old guides go so you are not dependent on them. …just continue making work without being too critical of what it is you are making”. Photographer Chuck Close put it more bluntly: “Inspiration is for amateurs; the rest of us just show up and get to work.”

2. Being creative is messy and non-linear. You have to figure out what stimulates you into coming up with good ideas. Wallpaper designer Neisha Crossland constantly collects fabric scraps, ribbons, postcards, candy wrappers and other materials, which she then pins on a large board she calls “the bush,” and uses as a source of ideas for her work. As a photographer, I am constantly looking critically at picture books and magazines, thinking about composition, lighting, etc. Sometimes I get ideas I can apply to my own work, sometimes I think of an even better way to approach a subject, and sometimes I come up with bupkis.

3. You need space and time to be creative. Comedian John Clees (of Monty Python fame) calls these “boundaries of space” and “boundaries of time.” In other words, you need time to think, and you need a place to do it in. Like most writers, he often finds that the second (or third) drafts of a work are better than the previous one. Novelist Helen Schulman’s workflow is as follows: Write. Rewrite. Obsess. Repeat. And Pulitzer Prize winner Richard Rhodes, using a woodworking metaphor, writes that “all craft…proceeds in stages: conception, material selection, rough shaping, detailed shaping, sanding and finishing.” As photographers, we need to take our time, if possible, in carefully composing and image, making sure the exposure and all settings are where we want them to be before pressing the shutter.

4. You need to practice. You knew this was coming. Creativity assumes a certain degree of technical expertise, and this can only be achieved through practice. Baker Alice Medrich once spent six months testing various recipes of tuile cookies for a recipe book. In Outliers, author Malcolm Gladwell suggests that you need about 10,000 hours of practice to become proficient at anything. Whether this estimate is accurate or not, the point is the same: you need to get out and shoot something. Creativity will (hopefully, maybe?) follow.

Now get out and shoot something.

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Has Photography Ruined Travel?

© Efrain M. Padro, All Rights Reserved

In a recent article titled Photography Has Ruined Travel, CNNGo’s Associate Editor James Durston lamented that many travelers’ obsession with taking pictures  of everything diminishes their experience because they see places through their viewfinders instead of their eyes. A former DSLR shooter himself, Durston’s “aha” moment came after photographing a whale shark at close range while diving in Thailand. As he reviewed his take topside, he realized not once had he looked up from the camera to simply enjoy the moment. Intent on getting as many shots as possible of the shark, Durston did not take the time to put his camera down and enjoy the experience.

It is unfortunate that photography has ruined travel for Durston. However, it hasn’t ruined travel for me. In fact, photography always enhances my travel experience.

Because of the size of my equipment I tend to attract attention, and most of the time that attention is of the positive kind. I have met interesting people, both locals and fellow travellers, while taking their picture (I get asked a lot to take people’s pictures). Some of those strangers have become friends, and I correspond regularly with the nice lady I met at the cathedral in Buenos Aires; the fellow photographer who gave me a ride to photograph a castle in Northumberland, England; and the lovely Dutch couple I met in Mexico while they were on their honeymoon (I have since visited them in The Netherlands, met their children, and taken photo trips with the husband. See accompanying photo, taken at the Amsterdam Zoo; I’m the monkey in front).

Besides, taking pictures with a DSLR and viewing a place with your own eyes are not mutually exclusive. I’m not looking through the viewfinder 100% of the time, and always take time to put down my camera and enjoy what’s in front of me. I learned this lesson long ago, even before I began photographing seriously.

Back in 1994 I travelled to Chile’s Atacama Desert to view a total eclipse of the sun. My group included a number of serious photographers with SLRs and tripods, while I had a point-and-shoot camera. When I asked for tips for taking pictures of the eclipse, one of the serious shooters suggested that the best thing I could bring to the viewing was a pillow to rest my head on (he knew my camera would not be up to the task).  I followed his wise advice then, and follow it to this day.

So next time you take a trip, don’t be afraid to bring you DSLR and other photo gear. Chances are that sticking out like a sore thumb will help you make some lifelong friends, plus you’ll bring back some nice shots to boot.

Now go out and shoot something.

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